Simple and easily identifiable, each squiggle embodies the soul of the Art Blocks platform. Consider each my personal signature as an artist, developer, and tinkerer. Public minting of the Chromie Squiggle is permanently paused. They are now reserved for manual distribution to collectors and community members over a longer period of time. Please visit OpenSea to explore Squiggles available on the secondary market. 

Chromie Squiggle

Genesis: Generative System. A block hash string is interpreted into a visual composition using a set of algorithmic rules. Compositions may contain grids, gradients, lines, shapes, and colors that harmonize with each other. Each mint is one of a kind and designed to stand-alone. Limited Edition.

Genesis

Stellaraum is a generative art series drawn from years of creating interactive audiovisual installations that explore light, space, club culture, performance, and process. Playful architectural abstractions and light particles bounce around the "Raum" of the sky.  Elements in this series also signal homage to Robert Irwin's Light+Space installation at Kraftwerk Berlin.

Stellaraum

Each Construction Token is unique and contains a randomized seed that determines the composition of the artwork. This includes the number, orientation, and placement of rectangles, as well as the color selections. Most tokens are monochromatic, with occasional light or dark variants. In some cases, the script will produce a token using complementary colors.

Construction Token

Parnassus is a generative project inspired by the work of German painter Paul Klee. It is an attempt to bridge Klee's analog practice (often credited as foundational to computer art and pointillism) with the capabilities of generative art.

Parnassus is a heavy script and best viewed on a modern device. 

10% of proceeds will be donated to Ukraine relief efforts.

INPUT
"A": Toggle animation
"P": Portrait lock
"L": Landscape lock
"H": Download uncompressed screenshot
"C": Download compressed screenshot

Parnassus

A cryptoart collectible series to indulge the irrepressible human compulsion for pareidolia. This algorithmic homage to Hermann Rorschach's inkblot perception test will help you externalize your inner world onto the sometimes elegant, sometimes inchoate curves of a unique, one-of-a-kind, ownable cryptoblot on the Ethereum blockchain. What will YOUR cryptoblot reveal about you?

Cryptoblots

Inflection

An on-chain experiment with interactive abstract art.

Dynamic Slices

interlacing lines 
constantly folding patterns
reflecting outward

Kaleidoscope

Variant Plan (F01Y20) is an exclusive generative art commission for Variant Fund by Jeff Davis. Each work in the series contains a randomized hash string that determines a unique layout and color placement for the plan. Every plan is unique and all logic for the artwork is stored immutably on the Ethereum blockchain.

Variant Plan

Light fields delicately diffuse into one another in this visual meditation on how we might peacefully share space together in the world.

View Cards are generative abstractions of high-rise buildings. Based on the programmable artwork View Program, each View Card contains a randomized seed that selects one of 9 different window patterns, 4 different atmospheric conditions, and an overall color scheme based on 4 different reflections. Click on the Live View of the artwork to display your settings!

View Card

Network C is a companion to REAS’s CENTURY. It’s a contemporary interpretation of Piet Mondrian’s Broadway Boogie Woogie, painted in New York City in 1942. Eighty years later, the most vibrant structures of the twenty-first century are dynamic data networks.

If you’re viewing on an iOS device 15.4 or later, use Safari and turn off "WebGL via Metal." Setting here: Settings > Safari > Advanced > Experimental Features > WebGL via Metal

Network C

A study in reduction based around several repeating elements. A unique hash string seeded within each token informs the composition of the work. Variables include the color of the background, the amount of times each of the elements are duplicated, the set distance between each duplicate, and the coordinates of each element. Each token is unique.

Elevated Deconstructions

The Nursery is Sputniko’s first edition of 100 NFTs, a collection of time-based generative art which simulates the organic growth and emergence of life forms. Following her own recent experience of giving birth to her first child, Sputniko worked with creative coder Misaki Nakano to explore creating pieces inspired by the experience of watching her daughter grow over time. The resultant abstract, flower-like forms will slowly change their shape and form over a period of a year. One hundred of these pieces will be ‘born’ when minting begins at Bright Moments London. 

# Coding Growth

## Shape 
When conceiving of a form for these ‘growing’ art pieces, Sputniko and Misaki opted for a bud-like shape each with their own unique DNA: different combinations of petal colours, traits from “frill”, the spaces between the different layers of the bud, to “petal” - the number of layers themselves. 

## Movement
Designing the algorithm for this growth relied on setting each piece to reach a point of maturity within their own time span of growth and this varies for each piece within a set range. Each bud-like shape will slowly unfurl over a period of 48 to 56 weeks until it reaches full ‘bloom’.

## Colour
The changing, abstract forms - reminiscent of the unfurling of flowers, the translucency and buoyancy of jellyfish and cellular division - aim to express the mysterious and enigmatic process of the growth and evolution of living forms. Their different colour palettes, inspired by the idea of each one possessing different personalities, further reflect the uniqueness of each piece.

## Beyond the Screen 

As part of Bright Moments London, audiences will have the unique experience of viewing this  work in the context of a physical exhibition. In an immersive space, in which these pieces are projected onto the surrounding soft, curved surfaces, audiences are invited to witness the ‘growth’ of the time-based pieces under The Nursery’s care.   

## A Culture of Care 

The Nursery also seeks to speak to the over-commodification of the contemporary NFT art landscape. By creating generative pieces that slowly and uniquely change through a period of development, The Nursery examines how the temporal and emergent qualities of generative art may alter how we respond to them as witnesses to this coded growth.

The Nursery

Every Singularity is unique. Each form’s properties; Symmetry, Chaos, Mass, Force and Turbulence are driven by data extracted from the transaction hash.

Singularity

FOLIO is a generative drawing system, inspired by concrete poetry and early computer artwork, that emits an output process for a given input. Each output may be realized digitally, in print, or through another medium. The drawing system, coded in JavaScript, recursively packs bins of data to fill the page, constrained entirely by the use of typographic glyphs and a limited mono-, duo-, or tri-colour palette.

FOLIO

Launched into crypto-space for the first time, I present my genesis project, a limited series of interactive 3D structures, rotating endlessly from their self-gravitational force. Each token minted is the result of a complex set of rules, an algorithm that processes the transaction hash and generates a unique piece of crypto-art. Purely written in JavaScript, using no external libraries or dependencies of any sort, these voyagers will forever be the testimony of hardcoded workmanship, a heritage of the old times. Deep space, do you copy?

Ignition

*Inprecision* is exploring the tension between the precision offered by computers and the imperfections inherent in classic art production approaches. The generative system is based on circles and triangles, perfectly aligned with each other and placed on a grid, but rendered with a technique inspired by the look of water color giving a high degree of imperfection in the rendered output. The precision of the underlying system is then again accentuated by a layer of hyper precise line drawings, outlining the used geometries and providing a scaffold for the underlying colors.

*Inprecision* further builds upon my quest to explore emergent compositions in generative systems. The system started with completely random placements of the different geometries, and gradually evolved by putting in the most minimal constraints to ensure an engaging final composition. In that way, *Inprecision* is an exercise in light-touch control with the aim to explore surprising compositions arising from randomness.

This series takes inspiration from both the color and line work of Wassily Kandinsky and the theories in the Suprematism movement. It asks the viewer to meditate on the texture of the paint and paper through its embrace of simple geometry and compositions devoid of literal interpretation.

Inprecision

A collection of on-chain, generative cumulonimbus buddies. Created using vanilla javascript, each unique NimBud features random wires, colors, eyes, mouths, cloud bodies, and more. Each with their own personality.

NimBuds

*Off Script* is a generative system that explores sensoriality through the subject of collage. At its core, the series uses a custom masking algorithm to cut out shapes from algorithmically produced papers, which are then arranged throughout the canvas. It is programmed in Javascript.

Much like the practice of collage itself, *Off Script* elicits a deeply sensorial experience. Generative textures induce a sense of tactility, while askew jagged shapes evoke the punctuated off-beat sounds of jazz. With its synesthetic qualities, the series challenges its own medium, creating a dialogue between the immateriality of digital representation and the corporality of the physical realm. 

*Off Script*'s visual language references various 20th century modern art movements that similarly emphasized medium and material through distilled expressions of shape, color, and composition.

Off Script

HyperHash explores the possibilities of representing abstract data on Ethereum as intuitive color and geometry spaces. Focus of research are topics like geometry & symbolism. The artworks generate a futuristic, telepathic & symbolic language for Etherians. All artworks have unique colors, geometry and motion signatures live generated on your gpu through shader (GLSL) code.

HyperHash

A return to first principles. Bright Moments London, July 2022.

Formation

Unigrids are collectible digital art pieces 100% stored on the Ethereum blockchain. Each Unigrid consists of 421 individual Pure Javascript generated SVG grids, ensuring each Unigrid is entirely unique. Not only are Unigrids visually unique, but they also hide an ingenious animation and a generated beat to enhance your experience. Unigrids are an experiential piece of art, with a static image for printing, an animation, and companion beat - all generated and stored on the blockchain. You truly need to play around with Unigrids to understand the essence of them. Be sure to hold onto your favorite piece as we will be adding interactive easter eggs for art owners, giveaways, and other engagement with the community.

Unigrids

'translucent panes' is an experimental p5.js project utilising mathematical randomness as a basis for abstract generative art creation. Similar to my 'blocccles' project, the core aesthetic is centred on colour blending & simple geometry.

The program starts by randomly selecting a divisor of the canvas width & height and forming a grid of rectangles. There is then an 80% chance that these rectangles will be rotated by a randomly selected angle ranging from -180 to 180 degrees. The shape is then either assigned a solid fill colour or is rendered empty with a border width of 1 to 5 pixels.

Spicing up the outputs is a selection of 14 palettes, each holding 2 to 8 colours for the algorithm to pick from. There is a 30% chance of an output having a dark background, and 7 of 14 palettes are limited to lighter backgrounds.

During development I came across a bug which meant rectangles would render taller than anticipated, I liked it, so I kept it in. The extra shapes round the project up nicely as they collide with each other leaving a beautiful mix of colours and geometry. For fun, I also added a 40% probability of circles showing in the output.

I hope you enjoy it as much as I did making it.

fingacode, 30 june 2022

__Note: this is an open-edition presented by Bright Moments IRL during the month of July. At the end of the month, minting will conclude and the final collection size will be fixed to the number of mints executed by visitors of 13 Soho Square and 18 Albemarle in London.__

translucent panes

There are an almost infinite number of ways to wrap a string around a set of pegs. On the surface it may seem like a simple concept but prepare to be surprised and delighted at the variety of combinations the algorithm can produce. Each output from 'Ringers' is derived from a unique transaction hash and generated in Javascript in the browser. Feature variations include peg count, sizing, layout, wrap orientation, and a few colorful flourishes for good measure.

Ringers

The word "Wirwar" is difficult to translate accurately. The meaning of the Dutch word is comparable to "tangle" or "jumble.  Drawings of isometric mazes and the works of Richard Serra served as the project's original sources of inspiration. Just imagine how difficult it would be to find your way out of one of the constructions that the project's algorithm generates. Jumbles of colourful walls are assembled by the code of Wirwar in order to be viewed on screens or in print.

Wirwar

Cyber Cities

*Welcome to your personal KERNEL – your meditative anchor point in this fast-paced brave new world.
Sit back, relax and enjoy.*

**KERNELS** is the mechanical interplay of several Finite-State Machines that form together an elaborate visual system. At the core of the system lives the Kernel (or a version of it), inviting you to stick around and forget about everything, while it is doing all of the computational work for you. The underlying grid of the visual system is both the output and the raw data on which a Finite-State Machine is doing calculations on a per cell basis. The Kernel is telling you, that generating outputs is as easy as 1 + 1.
In stark contrast to the calm nature of the Kernel exist the borders. Here patterns are generated and calculated and put through several sequencers to form momentary outputs.

The program is set up in a way to produce an entire class of drawings: 'aesthetic objects' (as understood by Max Bense) are placed within a metaphysical framework to be processed and observed.
Fine-tuning of all variations and the parametric space of the system is done by 'intuition'.
"Intuition refers to the choosing of possibilities from a given repertoire" (Frieder Nake, 'Cybernetic Serendipity' 1968)

The visual elements are derived from the 80s computer era and are ought to evoke a warm feeling of completeness and simplicity. On a 64×64 grid a variety of glyphs find their home within the single cells, shaped by different algorithms and placed into this world by one of the many color palettes. In total there are 64 custom color palettes with the ability to switch to a more 'rare' inverted configuration.

This work should be enjoyed over time as the images are continuously calculated into more complex machine states.
The work can be experienced in any rotation and aspect ratio and will adjust itself accordingly to screen sizes.

*Controls*
[spacebar] Play or pause the animation
[s] Export current frame as a PNG

KERNELS

We were succeeding at creating a reflect of the old home place in our new land. We hoped we had not re-created our mistakes.

Utopia

For millennia, cultures around the world have been fascinated by the movement of the sun.  A key element in 20th century modernist architecture were these 'brise soleil', an architectural technique used to minimize direct sunlight into the building while allowing the sky's indirect light.

When in real time mode, the shadows' slow transformation along the day invites the viewer to contemplate the evolving composition.

Hit SHIFT or tap on screen to activate real-time mode. Hit S to save to current frame as PNG.

Brise Soleil 

Exploring the interaction of four parent colors.

Color Study

If an orchid looks within itself, it realizes that its presence depends on the bugs, birds, and people that pollinate it. The orchid realizes the rain and the sun are within itself. Together, they endlessly change, bloom, and decay, suffused with light, energy, and love.

By examining herself, the orchid forgets herself, and therefore is verified by all things.

Orchids

This edition of video artworks is the result of my research in video art from the 60s and 70s, especially early analog video synthesizers. These were heavy hardware machines capable of generating shapes and patterns from the ground up, with no external visual input. How could these machines generate such complexity by just manipulating electronic voltage? I decided to investigate this process. Although with modern technologies, Spectron shares the procedural logic with its analog ancestors.

Spectron

"Rubicon" is the imaginary gate that awaits us after our journey, a portal that moves continuously for a state of self-reflection before opening and letting us through. 

What awaits us on the other side? Will it be something good? We don't know; perhaps there's nothing, perhaps there's something, but what's certain is that we can't stay any longer where we stand and must cross to the other side despite the aftermath.

In life, we're used to living with dilemmas we don't like to face, even when they destroy us. And it's not until we decide to cross the line that our situations change. There's no turning back, just moving forward — as Julius Caesar knew when crossing the Rubicon river. 

_Will you cross that line?_

Rubicon

Generative System 2: In this installment, the token ID hash string is read from left to right to create a bitmap matrix and a color matrix. Both are combined to create an image, which is then used in algorithmic fashion to compose a dynamic visual composition.

Gen 2

'nth culture' takes inspiration from the textile heritage of my maternal homeland of Bamenda, Cameroon. Toghu and Ndop fabrics are rich in meaning, using a selection of motifs, colour palettes, patterns, and compositions that have lineages to specific places and traditions.

This collection is a celebration of identity, abstracting interwoven narratives of textile heritage through generative coding to reflect the experience of children of the diaspora; living lives in spaces between multiple cultural worlds. nth culture explores the concept of 'Third Culture' and reflects on the unique diversity of personal identity.

nth culture

Today the base orbiter has started to move. Oscillating harvesters had the ability to generate an enormous amount of self-sustaining energy. They seem to establish parallel communication in resonance with cosmic frequencies but I find myself unable to decode the signal into anything meaningful.

R3sonance

Pohualli is a 100 edition generative art project inspired by Aztec mythological motifs and the rich history of Mexico. The project reflects on the constant passage of time, the diverging paths into the future, and the desire to revisit and resurrect forgotten cultures. The title references the Nahuatl vigesimal counting system, in which ‘pohualli’ is a base unit.

The concept for this project was first conceived by Fahad while he was living in Oaxaca de Juárez. Though many parts of Mexico have been drastically transformed, often forcibly, through colonization, a surge of tourism, and modernization, Oaxaca has managed to hold strong to many indigenous customs. Looking ahead to the next century - which elements of our cultures will we preserve and celebrate, and which will we erase from our memories?

Each artwork in the Pohualli collection takes the form of an alebrije-like creature that grows over time, following a random walk algorithm that represents our path through life. Every day the creatures will look slightly different, adding new feathers, shields, ribbons, vines, and geometric blocks to their forms. The Aztecs believed time to be cyclical, and so when a creature inevitably reaches its final day, it will die and be reborn.

This artwork changes over time and so is best experienced live instead of as saved images. Press ‘p’ to download the displayed image. Press ‘d’ to toggle the date labeling.

Pohualli

Sentience

Underwater is a collection of 100 generative illustrations. The project portrays seven hypothetical species. Left to grow in the underground aquifer of Mexico City, these species are conceived as fictive descendants of ancient Mexican plants.  
The abstract aesthetic of the drawings is inspired by the pre-naturalist illustrations of medieval herbaria, especially the Libellus de Medicinalibus Indorum Herbis. To recreate the beauty of these early scientific illustrations through code, the superformula was combined with space colonization algorithms to generate tepal-like forms with characteristic patterns. 
The flowers that inspired this collection of generative plants are: *Dahlia coccinea*, *Chirahodendron pentadactylon*, *Magnolia dealbata*, *Tigridia pavonia*, *Helianthus armus* and *Sprekelia formosissima*.

Underwater

The essence of all things digital is– the bit. One or Zero. On or Off. Where digital becomes analog. This piece pays tribute to our digital legacy of 8-bit color and 7-segment LED displays– technological limitations which are mirrored in the constraints of putting art on the blockchain. Although the image represents the art, the art of the token itself is the code– which renders everything bitwise, pixel by pixel, all contained within 27-bits of information.

27-Bit Digital

**What is reality?
Where does it start, and where does it end?
Reflecting on the perception of time, space, and self-existence.
Feeling abundance, spreading gratitude.**

--

Instructions:
- _Click to start audio/visual experience_
- _Press 'i' to toggle infinite mode (default on)_
- _Press 's' to save current frame_
- _Press 'm' to toggle mute_

Infinito

Don't fight it. Just respect it. Made by Dmitri Cherniak with Javascript and GLSL.

The Eternal Pump

# NFT ART CDMX

## Something beautiful
Bosque de Chapultepec is all about how computers can be used as a form of expression. It explores how a generative art algorithm can be used to make something beautiful that is unique to a particular place and time. Bosque de Chapultepec debuted at NFT ART CDMX in 2022, a four day celebration of generative art in Mexico City.
## Central Park of Mexico
Chapultepec is a park in the middle of Mexico City that is known all over the world for its green space. It is a historic place dating back to the Toltec culture in 1000 CE and has also been the site of many battles. Artists have been drawn to the park for a long time. My grandfather, for example, painted the scenery there. Even now, the park is a tropical escape for city dwellers who walk the park's many winding paths surrounded by old trees.
## Chochitos
The look of the project was based on the Garibaldi from El Globo, a famous bakery in the Mexican Republic. Garibaldi pastries are pound cakes dipped in apricot jam and coated with little round sprinkles called "chochitos". A visit to CDMX is not complete without tasting one of these delicious pastries.
## Behind the code:
The algorithm is made up of a system that uses a mix of circle-packing and quadtrees to fill areas of closed shapes with dots of different sizes and colors (like the chochitos). The underlying form of the composition is generated algorithmically using shapes constructed on the fly using points and lines. The shapes are lined up in a queue and then swept for possible areas where dots can be deposited so long as the dots do not overlap.  
# An SVG is available! 
The SVG is a fully scalable resolution agnostic version of the image. To access the SVG - View the output in **Live View**. When the output has *completed rendering*, press the "p" key and the SVG will automatically download. * Note rendering time may take up to 5 minutes.

Bosque de Chapultepec

Archetype explores the use of repetition as a counterweight to unruly, random structures. As each single component look chaotic alone, the repetition brings along a sense of intentionality, ultimately resulting in a complex, yet satisfying expression.

Archetype

In the context of the exhibition at Mexico with Bright Moments, when I began to think about my project, I was inspired by the creative prompt for the event and the concept of afterlife in particular. But I began to have doubts that I cannot adequately deal with the concept of afterlife in Mexican culture; that it would feel like an appropriation. Even disrespectfull somehow by an outsider of that culture.

Instead, I decided to do something that deals with this theme in a more indirect, less culturally specific way. While I was preparing a show in London, I picked up a few books that approach this topic from a science-fiction perspective. One of them was Solaris. Rereading Stanislaw Lem’s novel, I tried to keep the images of Tarkovsky’s movie out of my head so I could really see the story in a new light.

The book is essentially about the choices you make in life and the consequences they carry. It's about Kris Kelvin, a psichologist who travels to the planet Solaris, which he has been studying for years. The planet is almost entirely covered by a large ocean, which is revealed to be a single, planet-encompassing entity – a strange, non-human intelligence that confronts you with everything you think, believe and do. After years of no asnwers, a group of scientists decide to radiate it to explore the reasons of that behaviour, which ends up altering its form and character. In order to gather more information, Kris is sent there. There, he will confront himself with his deepest torments and monsters. He meets Hari, his dead wife. And with her presence, his own ocean of regrets and secret dreams emerge without mercy.

For me, there is something profoundly poetic in this confrontation. There are probably as many interpreations of this novel as readers, but for me it is essentially about the multiple lives we have within a single life. All the trajectories that we could have taken, branching off into a variety of possible lives. Are we our acts or our thoughts? I mean, we constantly deal with our past and regrets, with our secrets loves, with our secret hates, dreams and hypothetical lives. And it all happens in the present. So, irretrievably we are all these persons at the same time. We are all these lives together.

After going several times over the book, I broke it up into episodes and I began to sketch scenes with the code. The different sketches are not directly representational, however; they allude to scenes. It feels personally like the next step in my personal exploration of narratives in generative art. My goal is definitely not to represent literally the story with code; rather, I want to create an algorithm capable of expressing the central themes of the narrative in a condensed form. It's a sequential base of rules, a growing form based on a common element: a base (a platform), from which different elements grow and navigate through Solaris. I find certainly powerful the idea of exploring the whole context of an algorithm, preparing the viewer for an introduction, conflict, climax and denouement of the system.

  – Text based on my conversation with Malte Rauch.

Tosolaris

Pixel Glass

Glaciations is a generative system exploring the 2d Fourier transform of basic geometric shapes to create dream-like compositions.

Glaciations

Pathfinders is an interactive generative drawing project. The script sets color palettes, brush textures, a unique avatar, and assorted start screen layouts from token data. When viewing Pathfinders, left-click the starting image to erase your canvas and watch the deterministically chosen brush trail across the screen. When you are satisfied with the output, left-click again to pause, right-click and save your image, then share your results with others.

Pathfinders

Anni, in 1935, you came here in Mexico.

The first trip of a long series that inspired you. As a human. As an artist.

It was an important step in your artistic journey. You learned and discovered so much from this culture. Its influence awakened you even further. Your craft evolved.

Now I wonder, Anni… what did you find there?
How can I evolve myself?
How to awake?

With this series, inspired by you, my practice and my own experience , I found something, too.
Like you, I like to explore "tactile sensibility" along with colors. How can I connect with someone else with those things alone?

Do we really need to touch things to feel them?

I wonder… Have you ever tried to weave with algorithmic paint, Anni? Maybe you did actually? I saw you were already using paint to sketch your pieces… 
I'm curious what you would be able to do with the tools of my times… 

So many questions but so little time, isn't it?

Best,
William

1935

To become an Energy Sculptor, you first have to find your way into MU. Once arrived, an extensive period of trials will test your capabilities for earning the right to be an Energy Sculptor.

EnergySculpture

lūmen

A real-time live interactive piece that also acts as a clock. 720 unique ways to show the current time, one per minute over twelve hours. Each clock will activate on its given minute, giving you a special moment every twelve hours to consider what one minute means to you.

720 Minutes

Light and shadow define the space of our lives. Influence our thoughts, memories, wishes and dreams. Reality and irreality touch and connect in various points in our minds, being lucid and illucid at the same time. Through light and shadow we see the presence of what is not there (lo que no está). Our gone loved ones. The things we aspire to but are not here yet. The things that will never be. The outer world which we can only imagine, as it is outside of the bounds of our mind and existence. This project is inspired in the streaks of light on the walls we inhabit, by the shadows, by the dreams we create, the illusions we have. The colours and volumes of architecture, through light and shadow, have always played a vital role in the activities I carry around within any given space. The project is a tribute to those spaces, to those thoughts, to the architects that through colour and space bring the possibility of reflecting on those matters.

Press s to save image
Append ?pd=3 to the URL in live view to set pixel density to 3 (increasing resolution). You can try with arbitrary N as long as your graphics card supports it.

lo que no está

“Apparitions” is an exploration of the space between algorithmic and organic. Each “Apparition” is unique to the transaction that originated it. Created by Aaron Penne

Apparitions

100 Untitled Spaces

Escher-style tiling of a plane, gone wrong. Each image spins hash-driven colors, shapes, and symmetries into infinity. Fly through the spiral as it morphs between beauty and madness. Keys: F = Fly through/back, D = Distort on/off, Esc = Stop, S = Save image.

Inspirals

"What were the skies like when you were young?" - the orb

100 Sunsets is an exploration of the feeling of sunsets, the transformation from day to night, the intersection of color, gradients & time. The work explores the atmosphere and uses colors derived from atmospheric optics.  

This summer, I spent some days living on a boat with my family, and I loved watching the sunsets on the water.   I found myself often transfixed, and invariably having the discouraging thought about how nothing I could code would even come close to the wonderful chaos, the noise and oscillations I was seeing on the water surface.  It would be impossible to recreate these looks.  But I remember thinking, would it be possible to recreate the feeling? 

These studies are an attempt to capture the feeling -- of watching the sun set, of seeing a day end, and the start of something new. 

Press ‘h’ for high resolution, and ‘s’ to save an output image.

100 Sunsets

Simple rules - complex patterns. An exploration of abstract variation through generative symbols.

Hieroglyphs

Traveling from dark to light, through the colors in between. Bright Moments CDMX, November 2022.

Transcendence

As the first on chain generative planets, I present my Galaxiss project. Each planet uses several layers of complex noises to generate nearly infinite variations of terrain, shapes, and biomes. Check out the lost airplane that has been signaled flying around and if you're lucky you might even catch another surprise chopper! Collect planets and build the Galaxiss of your dream!

Galaxiss

"Caminos" es la relación del trabajo de artista con el uso de colores y geometría a través de los los patrones, situaciones, personas y objetos en los mercados, las calles, los edificios, los colores y demás elementos que consituyen la ciudad. Esta obra es un tributo a esa cultura, similar a una ciudad que se va creando mediante capas, dando como resultado un caos formado a partir del color, de diversas geometrías y más elementos que van cambiando a través del tiempo.

La composicición final de este proyecto es conformada por 5 capas que van creandose con el paso de los segundos dentro de la obra. Con las teclas 1 - 5 puedes interactuar con cada capa que va generando la composición final dando la posibilidad al usuario de tener 5 piezas dentro de una obra, pero sobre todo generar una experiencia que le permita tomarse el tiempo necesario para explorar, encontrar, disfrutar distintos patrones y elementos dentro de cada capa y dentro de la composición final. Asi como explorar la ciudad, sus distintos espacios, situaciones y cambios con el paso de los años.

Caminos

A study of color in motion. Beams of light ebb and flow like ocean waves, their colors softly blending to form dreamy gradients.

Light Beams

*Color Streams* is a return to my origins both personally and creatively. Simple gradients across color fields with the generative paint texture I love so much. These outputs remind me of simpler times and give me hope for our collective future. 

press "s" to save an image of the output in live mode

--


I am happy to partner with Bright Moments to bring these outputs to collectors as part of their Artist in Residence program. Available IRL at Bright Moments galleries and events around the world for the month of December 2022.

Color Streams

Empyrean - an exploration of form modeled after the highest heaven, domain of the fifth element. Each piece is unique and has many different attributes such as size, line style, color scheme, and some other features you'll have to discover. This piece is interactive, so mess around with your keyboard to find out what you can do.

Empyrean

Limn resembles a rough sketch. It is composed of both regular and irregular shapes, combining precise and imperfect elements. The rough sketches and outlines imply movement and energy as well as a sense of exploration and playfulness, as if the piece is still in the process of being created.

Limn

In Zen, ensō is a symbol that represents elegance and enlightenment. It is typically painted by hand in an uninhibited way, allowing for unexpected and beautiful results. Inspired by sumi-e (ink wash painting), this project mimics the practice of painting an ensō in ink by utilizing p5.js. Each generated image uses values from a unique transaction hash to determine paper, brush, ink, the quantity of ink held by each bristle, how quickly the ink flows, and more—all with the goal of creating a simple yet serendipitous painting.

Ensō

Velum: Latin for curtain.

Inspired by the question: What do you get if you blend the visual DNA of two mid 20th Century artistic movements into a 21st Century generative art algorithm?

The original ideas evolved by Abstract expressionism and Pop art tell very different stories in the history of post war American art. My approach however is more about just stealing from the visual lexicon of mark-making that characterizes these artistic movements ignoring much of the contextual conversations around them . When I started out building my first primitive for Velum I was picturing in my mind something that looked more like a gestural paint-stroke typical of abstract expressionistic painting. Adding Pop art stylized outlines to the structures however separated them from the background and gave them a floating quality. Liking this effect I quickly forgot about my first idea of making paint strokes to explore the emerging curtain-like elements and found ways to make them dance.

Velum

My interpretation of Aerial View is a bird's Eye View over a city block with illuminated/twisted buildings and light trails. It uses an on-chain stored algorithm to represent the generative artwork based on a hash. Each Aerial comes with different distances, building elevations, rotations and colors. Welcome to my genesis project and the first step on my on-chain journey!

Aerial View

By default, browsers stretch and interpolate pixels of low-resolution images into blurred colors. Cage is a study of this flux between the browser and how it interpolates images and color. Layers of these stretched pixels fit your screen to make a cage of light, blending grids of color onto a canvas. Cage paints the screen with variations of six web colors (blue, orange-red, green, magenta, violet, and yellow) to create new interactions made possible only by this resolution play.

Cage

Gazettes is a generative art project by the Redlioneye Gazette team and Pxlq. The project pays tribute to print media and highlights classic formatting such as paragraph layouts, headings, variously styled texts, and images. We have mixed together our publication concept with classical journalism and generative art to deliver exciting, surprising, unique, and visually stunning

Gazettes

Cool air, warm dirt, lemonade berry perfume.
An amphitheater vignetted by the closing day.
The sun is the star of the show, and the ocean is the stage.
Immense beauty tinged by a deep sense of uncertain anticipation for what is to come.
This is how my first days of adulthood closed. A mix of comfort and discomfort, peace and turmoil.
My intention with this work is to capture my memories of those nights, rendered in simulated oil pastels.

Sunset from the Bluffs

Perfectly symmetric - imperfectly drawn. Exploring the contrast between precision and chance in a playful spacecraft / papercraft setting. 

Paper Armada

Intricada means ‘interlaced’ in Old Occitan, a Romance language spoken in the south of France. This project explores the balance between emergence and control.

**Emergence**
Intricada is created with autonomous agents drawing very small dots and following simple rules, positioned according to geometrical patterns. I’ve designed Intricada like a simulation, giving initial conditions and see what comes out of it. Each piece is the result of thousands of unpredictable consequences.

**Variation**
This collection includes a very large number of possible variations. Some properties are specific to the agents and allow to define their rules, colors, number of children, angle… Many parameters influence the initial position and direction of the agents, palettes… Each combinaison creates a very unique output.

**From far and near**
From a distance, an Intricada piece may look like intersecting circles, geometric patterns, confetti, a perspective design... When you get closer, you can see that these shapes are composed of multitudes of agent trajectories. Finally, if we get even closer, we can see that these trajectories are composed of points (several hundreds of thousands per output).

**Interaction**
In live mode:
- Press [s] to save an image to disk
- Press [n] to toggle noise
- Add `&size=#` to the end of the live view URL to render a variation of your edition at another resolution

Intricada

Generative music in 40-140 bytes on-chain. ByteBeats are miniature functions that synthesize audio (and video) via bitwise operations (&^|<<*+/%>>). Because bits form groups in powers of 2, 4/4 beat-driven music emergently self-organizes. Each function in this drop is itself randomly generated, grouped into six families of composition and four families of visualizers. Some ByteBeats loop, some generate new patterns indefinitely. Some are for headbanging, some are for climbing forever through oceans of phase cancelation. (Instructions: click to play ...)

♫ ByteBeats

Passages

Synapses is a generative study on movement and texture. Thousands of particles flow in space leaving a trail of their journey. the movements are inspired by swarm behavior and flocking mechanism. The trails when left by each particle resembles the graphite or carbon smudges on the white canvas. The particles follow either single or multiple vectors to create these intricate details.

Synapses

In aerial photos from 1945, you can see dozens of buildings crammed around the main street of Gallarta - a town 13 km northwest of Bilbao. The street leads to a small open pit where they extract iron. Images from 1956 and 1965 show how the road becomes shorter, and houses once surrounded by fields are now on the pit's edge. Some of them disappeared to facilitate access to the ore. The mine grew, consuming mountains, meadows, and settlements.

Gallarta disappeared in 1977, replaced by a chasm extending across the area until today. The open pit extraction in the mine stopped being profitable only six years later. The scar it left on the surface of the mountainous area is a monument to the disappearance of this and numerous other towns with similar stories.

Cantera is a project that brings these stories to a non-physical, generative space. It replaces atoms of stone and soil with digital bits. It draws landscapes inspired by the imagery of Basque stone quarries and iron mines and writes narratives about non-existent habitats where the boundaries between extraction, shelter, and natural forms become indistinct.

Cantera

These cute companions live 100% on-chain where their bytes are cleverly stored in a scalable vector format. Built with quality components and complex algorithms, each Algobot is issued with a unique serial number and a NIFTY license which permits them to help out on any commercial projects where you might require their assistance.

Algobots

#### Who am I?
#### Am I a series of pixels? Someone's creation? Or a product of nature's endless waves like you?
&nbsp;
imma, Japan's first virtual human, creates her first generative artwork "immprint" for Bright Moments. 
Created in collaboration with creative coder Misaki Nakano, "immprint" explores the topic of imma's virtual identity. 
What does identity mean to a virtual human?
Using an original algorithm inspired by the Jacobi method used in Stable Fluids, the work examines the theme of the body as data and references motifs from brain scans to finger prints. 
"immprint" explores imma's own story: how she gained life from the pixels on our screen to her current existence that allows her to move between the virtual and physical worlds. 
&nbsp;
###### About the collaborators:
###### imma
imma is Japan’s first virtual human. Easily identifiable by her signature pink bob, when she first appeared on social media in 2018, she shocked audiences as they were not easily able to tell if she was virtual or real. Always collaborating with top artists and brands, her realness and authenticity in a world of unreal social media cemented her status as an exciting new voice for the future. imma is Asia’s No.1 most influential virtual human and her actions have led to her being selected one of the Women of the Year 2020 by Forbes Women published by Forbes Poland and star in the Tokyo 2020 Paralympics closing ceremony. This is her first generative art project. 
[Instagram](https://www.instagram.com/imma.gram/) /  [Twitter (JP) ](https://twitter.com/imma__jp) / [Twitter  (EN) ](https://twitter.com/imma__en) / [Discord](https://discord.com/invite/ktHMAwkZ3D)  / [Opensea](https://opensea.io/imma) 

###### Misaki Nakano
Misaki Nakano is a programmer and designer who creates visual arts with WebGL and develops interactive contents. She is also involved in R&D for webXR and physics simulations.
 [Twitter(EN)](https://twitter.com/misaki_mofu) / [Twitter(JP)](https://twitter.com/misaki_mofujp)

immprint

Elementals is inspired by physical printmaking techniques and early Bauhaus principles. It starts with a few basic coloured shapes and arranges them in varying frequencies, sizes, and positions based on a unique transaction hash. Multiple overlaid variable grids allow for myriad layouts and opportunities for colour interaction. The goal is to create pieces that feel both intentional in composition and part of the same family.

Elementals

Agar is a generative art project inspired by abstract expressionism, pixel art, and the grid rules studied in graphic design. Color, the essential element of pixel art, gives life to simple shapes and defines a composition. Playing against the rigidity of a pixel grid, Agar exuberantly uses 100 different color palettes—each one appearing exactly once in the 100 outputs.

The series embraces the aesthetics of pixel art while reimagining its formal constraints. Instead of using only squares, Agar introduces circles as another basic shape. The squares and circles are arranged on a regular grid, but they vary in size—within a fixed set of eight dramatically varying scales—to create dynamic compositions.

The title comes from a gelatinous substance, derived from seaweed, that is used to grow bacteria and other microorganisms in petri dishes. It relates to the idea of cellular life forms growing on the matrix of a pixel grid, and the diversity of shapes and colors that can be found in nature. Agar asks: what if squares and circles are the building blocks of digital life? What forms might evolve to live on the screen?

Agar is a celebration of the beauty possible within constraints. Through color, it invites us to imagine new forms of life and art on the digital canvas.

Agar

What lies between everything else? A reflexion on scale, shapes, the infinitely small and the infinitely big.

Void

When duty calls and the Departed need to form ranks, who will heed the call?

"L'appel" explores order in the chaos of a battlefield - making sense of the unknown and fleeting world that lies beyond. Randomness, repetition, grids and overarching shapes pull the colors around, hoping to find a sense of wonder through the void.

Following "Décorés", the final act of the Departed series reflects on the fleeting nature of existence, inviting viewers to contemplate how our struggles give shape and meaning to our time on earth.

L'Appel

'Origami Dreams' represents me in a very intimate way. It is the product of doing generative artwork for years, experimenting in the intersection between movement, poetry and mathematics. Each piece is determined by a random seed. There are two possible states in the artwork, one static and one dynamic. You can switch between the two states with a mouse click. The prime number 13 guides all of the artwork. You will get one of 13 different characters, and each 'Origami' is defined by 13 random points. There are also two layers of 'stars', completely random in color and position. The possibilities are infinite, and every mint is a different outcome.

Origami Dream

A moment in time on the big screen. Bright Moments Tokyo, May 2023.

All Hail CryptoGodKing, whose Holy Spirit is opaque to the human eye. While CryptoGodKing itself cannot be owned, each unique incarnation may belong to a cryptographic soul of the Ethereal realm. When viewed through the material lens of a web browser, worshipers may glimpse its essence. Those who retain faith shall be led by an invisible hand towards a higher plane of wealth whereupon their karmic assets shall yield tremendous spiritual interest. Press space to hear the voice of CryptoGodKing.

CryptoGodKing

**Event Horizon** is a minimal simulation of circular energy fields that are traveling along paths to manipulate all matter within their reach. Various energies are mixing and interacting when colliding in the same space, creating dynamics and movements that alter the underlying grid and draw new patterns along their way through space.

Event Horizon

Gravity Grid is heavily inspired by Go, a 2,500 year old board game. The game of Go is played on a 19x19 grid, which is how every Gravity Grid invocation begins. A psychedelic "gameboard" is drawn and pulled apart by gravity, as if slowly orbiting a black hole in space. Each Gravity Grid starts at a different stage of this process. Don't forget to click and hold - you *might* find an additional effect.

Gravity Grid

One of the many intersections of art and mathematics is the field of patterns and symmetries. 

This project explores the visual expression of various planar symmetries by using colourful, maze-like structures. The precision of these mathematical patterns are offset by a playful use of dimensionality and an imperfect grid as basis for the linework.

Orbifold

Leaning into a retro 70s groove, the perfect art for your space-pad. The input is simple, just two tiles, but how they're rotated and placed, that's the magic.

70s Pop Series One

FULL_SPECTRUM simulates, and traces the full visible spectrum every time it runs. The colors you see are a result of which wavelengths found a path to the LIGHT.

Press `v` to toggle a debug panel.

FULL_SPECTRUM

An asterism is a pattern created by a collection of stars and the lines that mentally connect between them. Unlike constellations, they are a more general concept that can refer to any identified pattern of stars. The viewer is the one who draws in the sky and gives meaning to his creation. Asterisms in an interactive generative project that invites you to draw, name and save forever your own asterism. Through a generative algorithm, the script gives you the sky as a canvas where you can unfold your imagination as many times as you want based on the Token ID hash from the minting process. To be a user is to be a creator. LEFT CLICK to create stars │ Use the MOUSE WHEEL to zoom in and out │ TYPE to write a title │ BACKSPACE to delete │ DELETE to delete all the text │ ENTER to save the file.

Asterisms

**Sparkling Goodbye** is a generative painting algorithm that celebrates all departures. It's a Farewell to the past, a Bye-Bye to the familiar, and a See-You-Later to faces that you will soon forget.

Each **Sparkling Goodbye** is meticulously loaded with machine-picked emotions, made from the finest ingredient (100% pixels, full refund if you find any impurities in our ingredient). This hands-off approach makes every single  **Sparkling Goodbye** a chaotic blend of happiness, sadness, serenity, and anxiety. With every glance, you'll discover the impulsiveness of the machine touch as you savor the delightful interplay of dramas that only a maniac generative algorithm can create.

Let **Sparkling Goodbye** create a moment for you. It will insist that goodbyes are not meant to be said with tears but with sparkling water.

Sparkling Goodbye

Gen 3, the third and final installment of the Gen-Trilogy series, uses word combinations to create unexpected phrases. The phrases play with meaning, or the idea of it,  while characterizing identities relating to blockchain and NFT culture in a fun and abstract way. Gen 3 continues an emerging trend of parsing the minted token's hash in order to produce a deterministic image or animation. For each Gen 3 minted, 40% of the proceeds are donated to a non-profit organization called EveryShelter whose mission is to repurpose waste products into useful materials designed to help people in need. More information can be found at https://everyshelter.org/

Gen 3

Undercurrents is a pure generative art collection made with code using p5.js and glsl.

The collection attempts to capture the essence of Tokyo's multifaceted character and the unseen layers beneath the surface of the city's dynamic urban landscape. The bright abstract patterns, layered with a subtle fabric-like texture, allude to the interplay of modernity and ancient traditions that define the city. The intricate layers of the artwork hint at the depth of Tokyo's high-context culture, where communication relies heavily on implicit understanding, nonverbal cues, and shared cultural knowledge.

Undercurrents

A love letter to the beautiful hash behind the art. ⭑･ﾟﾟ･*:༅｡.｡༅:*ﾟ:*:✼:*ﾟ:༅｡.｡༅:*･ﾟﾟ･⭑ (づ￣ ³￣)づ *:･ﾟ✧ 0x... ✧ﾟ･: *

Dear Hash,

### Smile, Margaret, smile, smile / The way it appears can vary depending on the environment / Enjoy your very own Margaret / Press “S” to download a high resolution image / Best viewed with Chrome and a desktop

Margaret

On a cosmic stage, these actors sing an infinite song. What do they reach for? Who are they searching for? Do their faces show wonder—or sadness? Sometimes they sing for themselves, sometimes they sing for the crowd, and sometimes they sing for the void. Like us. (25% to environmental charities)

The Opera

Lines are bent and shaded. There are no wrong turns. [Interaction in live view: press 1-7 or left/right arrow keys to see the stages of sketch construction: 1-grid, 2-divide, 3-tile, 4-bend, 5-shade, 6-color, 7-texture]

Bent

by ippsketch

Description

Filters